Maybe you've realised that I don't usually get strong positive reactions to movies and so when it does, it's gotta mean something.This movie did it. When I feel like I can't do a movie justice in my piddly little blog, I post some sort of professional write up. From the TIFF08 website:
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Philippe Falardeau established himself as a director to watch with La Moitié gauche du frigo, which won the Claude Jutra Award in 2000 and the Citytv Award for Best Canadian First Feature at the Festival. He fulfilled the promise of that film with the accomplished, much-lauded Congorama, and with his latest, C'est pas moi, je le jure!, he delivers a highly sophisticated, often hysterically funny work that may also be his most accessible to date. Set in 1968, the film focuses on ten-year-old Léon (Antoine L'Écuyer, in an amazing debut), an inveterate hellion whose favourite hobbies include failed suicide attempts, vandalism, theft, running away and breaking and entering.
The cause of Léon's behaviour is fairly obvious. His parents are a truly horrific match, prone to ear-splitting domestic squabbles that begin with smashed plates and conclude with paintings being ripped apart. As their relationship deteriorates, Léon's actions grow increasingly outrageous and self-destructive (a “visit” to a vacationing neighbour's house is particularly memorable), and the situation is only exacerbated by his father's remoteness and his mother's liberal, conspiratorial approach to child-rearing.
C'est pas moi, je le jure! is a touching and amusing meditation on changing mores and family structures. Léon's best friend Lea is being raised by her alcoholic uncle, and may be as troubled a child as he is. Like Léon, she is in search of an absent parent, and the era is not helping their adjustments – a schoolmate tells Léon that divorce is a mortal sin. In many ways a historical and political allegory, the film is a study of abandonment and an elegy for lost political innocence. Falardeau constantly reminds us that the choices the characters make would not be possible today. Léon's mother flees to Greece to start a new life, and Lea informs him that she has opted to live in a dictatorship. In this case, the children are more politically astute than their parents – and seem far more aware that there is a sea change taking place.
Brilliantly acted and executed, C'est pas moi, je le jure! is one of the sharpest and most entertaining films you will see this year.
-Steve Gravestock
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That write up doesn't even begin to scratch the surface of how amazing this movie is. Every single actor in this movie did a wonderful job. The director, Philippe Falardeau really lucked out and found the very best three children for these parts to be in the movie.
The movie was touching. It was witty and hilarious.
The director was on hand for an intro pre-film and Q&A post-film. Not only did this man have a wonderful sense of humour and Quebecois accent, Philippe Falardeau was nice enough to stay and answer a LOT of questions. While one can really examine each of the characters in-depth (as the director eluded to just how much more there is to each of the characters that I obviously understood - mind you, I think all directors have similar thoughts about their movies, I'm just not sensitive enough to get all the little character details) this film was so wonderful in so many ways near the surface hat you didn't need to dig deeper to love the movie.
I can't even express how much I enjoyed this film. Everything about this movie was fantastic, even the music. Can someone watch this movie and tell me what genre it is so that I'll know what kind of movie I like? Moments of this move made me think of Amelie, for example when the character switches from narrating as a voice in your head to narrating like a soliloquy directly to the camera. I smile just thinking about their accents and the banter between the children.
The film is based on the book with the same name and its follow up book, Alice court avec René by Bruno Hébert although the director did make quite a few changes. I'm interested in reading the book, but I'm afraid it won't live up to the film and after knowing which parts were added into the film, I just can't imagine the lives of these characters without these moments.
If you haven't figured it out yet, I loved this movie. There aren't any more screenings of this movie at the festival (unless it wins audience choice), but hopefully somehow more people will have the chance to see it in the future and I hope this movie gets some kind of special recognition.
- picture courtesy of www.tiff08.ca


